A prompt that turns a handful of reference photos into a clean 8-panel character sheet — angles on
top, detail close-ups underneath — in a single 5-frame generation.
H3 is a video model, but it does not have to be used as one. Ask it for a frozen frame and it will
happily lay out a reference sheet for you. Five frames is the node minimum, which is about 0.2
seconds of video, so this costs a fraction of a normal clip. Export any frame and that frame is your
sheet.
The sheet is not a piece of concept art. It is a documentation sheet of a design you already have:
the same object, from angles you do not have yet, on a neutral backdrop, at a consistent scale and
under consistent light. That is exactly what you need to feed back into image-to-video work, where
identity drift between shots is the usual problem.
example 1
Free to use, no strings. Take it, change it, share what you make with it.
Two examples, one prompt, zero edits
Both sheets below came out of the same prompt text. Nothing in it was changed between them — only
the five reference images in the slots. That is the point of the technique: the subject is never
described in words, so there is nothing to rewrite when you swap it.
Example 1
Five references of one armour set — three full views and two close-ups:
front
three-quarter
back
close-up, upper
close-up, lower
Note there is no side view among them. The strict profile in panel 3 of the sheet is constructed
by the model from the views that do exist.
Example 2
A completely different set — different silhouette, different palette, large burning wings, and a
figure with a different build. Same prompt, untouched.
front
three-quarter
back
close-up, upper
close-up, lower
example 2
Note how the wings, which exist only as a spread shape in the references, keep the same silhouette
across all four angles and are cropped out of the close-ups rather than being repeated in them.
What came out
Eight panels in two rows, in both cases.
Top row, four full views: front · three-quarter · strict side profile · back. Same scale, same
height, same camera distance, same light. Only the angle changes.
Bottom row, four close-ups: head and shoulders · chest and waist · arm and hand · leg and foot.
Each area appears once, shot straight on.
Settings
mode Ref2VA
length 5 frames (node minimum; 5 % 17 == 5, valid without padding)
resolution 1024 x 1024 (1.05 MP; H3's native canvas is a 768 short edge, so this is
slightly above it and still behaves)
ref_image_size max (2048 short edge — keeps fine engraving readable; slower,
because reference tokens ride through every sampling step)
sampler res_multistep
scheduler simple
steps 20
guider BasicGuider (H3 weights are CFG-distilled, there is no negative prompt field)
Because there is no negative prompt path, every constraint is written as prose inside the positive
text. This matches MiniMax's own official ComfyUI templates, which end with lines like
No text, subtitles, logos or watermarks of any kind.
The prompt
Full text in prompt_character_sheet.txt. It follows the six-section
Ref2VA format from MiniMax's official rewrite guide: subject_definitions · summary ·
retention_analysis · detailed_description · overall_soundscape · non_diegetic_music.
Three things in it do the heavy lifting.
1. Take it as it is. A block stating that every plate, strap, buckle, spike, colour and finish
keeps exactly what it has in the references, that nothing is redesigned, simplified, tidied,
embellished or improved, and that this is documentation of an existing design rather than a new one.
2. A black mannequin instead of a wearer.
The subject is worn on a PLAIN MATTE BLACK MANNEQUIN: a featureless display figure of uniform flat
black with no face, no eyes, no mouth, no hair, no skin texture, no visible seams and no joints,
smooth and completely non-reflective, present only to hold the armour in its proper shape.
Without this the model invents a wearer, and that invented face is slightly different in every
panel — which defeats the entire point of a reference sheet. With it, wherever the armour leaves the
body open you get flat black instead of skin, and the panels finally agree with each other.
3. Every panel named, and named as distinct. Early runs produced two identical head crops and two
identical leg crops, because only two close-up references existed and the model simply repeated them.
Naming the four areas explicitly and stating that each appears once and none repeats another fixed it.
Making it your own
The prompt is written to be subject-agnostic. <Subject 1> is defined only as the subject shown
across the reference images — no colours, no materials, nothing that could contradict what the model
can already see in your photos. Swap the references and it works on a different armour set with no
edits at all.
For mounts and vehicles, delete the A-pose line.
For weapons, keep the top row and rename the bottom four crops to the parts that carry the
identity — grip, guard, blade, pommel.
For characters, drop the mannequin block and let the person be the subject; keep everything else.
For a turnaround video instead of a sheet — a slow full rotation on a neutral backdrop, from
which you pull full-resolution frames — the same approach works with the panel layout removed. That
gives you every angle at the full frame size rather than a quarter of it, at the cost of a real clip
instead of five frames.
Notes from the runs
Panel 3 first came out as a second three-quarter. Writing strict profile at exactly 90 degrees,
the far arm and far leg hidden behind the near ones, the face seen edge-on fixed it.
Close-ups came out doubled until each was named and declared distinct.
The invented wearer's face drifted between panels until the mannequin replaced it.
A grid layout is a known weak spot for video models — panels bleed into each other. The bans on
repeated panels, overlapping panels, tilted panels and panel drop-shadows are there for that reason,
and the composition is declared a frozen frame where every frame is identical to the first.
A ComfyUI workflow is work in progress and will be added here.
