Our Low-Rank Adapter (LoRA) for FLUX models fine-tuned on a set of manually pre-processed & exhaustively captioned art scans...
Representing a broad selection (about 70 pieces) from among the distinctive oeuvre of oil paintings by...
The epochal Ukrainian-Russian-Soviet-French or, in short, World artist:
Zinaida Serebryakova (1884 — 1967),
One of the 20th century's most vividly expressive, stylistically unique, and altogether brilliant painters from life and times,
And who is particularly celebrated and influential as a portraitist, whose works manage to be at once unmistakable expressions of her unique style and yet still feel utterly transparent, as if direct translations from life.
Trigger words
You should use Serebryakova style oil painting by the Soviet artist Zinaida Serebryakova or Serebryakova style art to summon the artist's latent brush.
Find this LoRA's Variant 2 – an alternative version fine-tuned over a De-Distilled modification of a FLUX base model – AT THIS LINK.
This Variant of our Serebryakova Style LoRA was fine-tuned over a normie FlUX.1 Dev base, and at a lower rank than Var.2, but for slightly more steps and tripple the batch size.
POEM OF VARIANTS & ARTS (spontaneously drafted scribbling this Readme)
Now, we – resisting faux-objective ranky claiming –
Resent few things as much as verdicts thickly framing
One or another in a set of co-distinctive versions
(Whether of LoRAs, bases, language games, or persons)
As absolutely "better", "closer", or etcetra than some other...
(It's better? How?
_ _ _ Or even better: When?
But where's the closest exit?! We would rather...)
Ourselves gush forth that timeless musky vein
Which skeptics shun, while copyright creatives' ever-fading flame
With anxious flickers warms the distance to fresh hearts,
I'd claim:
That what we make on here remains – THE ARTS!
And furthermore, uncanny arts;
_ _ _ In futures steeped...
Their steps –
With singular biographies and styles inscribed
_ - _ – _ - _ -_ – _ - – _ - _ _ _ - _ With millions of layers' depths
(And just as many specious patterns on each dust grain's flanks
Or maybe more, or guessed, or unerased inferring drop by stab by drop
The past
Or maybe less,
Depending on what test ensigned each line
Past dollar time, what flight, enshrined which "ranks"...)
Upon twelve billion factors ...
All these arts
Adapted one by one,
____ We keep distinct __ _ _ __
Within respective open-use adaptors...
Which, thus translated for to be deviced,
Past (or irrespectively) of law, or eager yearning out of sense,
We strive to fit unto a lost attention's latching fore
For if adopted to despair that searches with quick hands,
And carried onwards past mere codes,
As art traced back through human angst, and joy, and pain, and lust,
Now stitching forth by universal maths, which learns in cosine time,
Then rests, restarts,
A widened stitch, another era, plays translucent cards this art,
Gyrating dialectics, earth of fire, to flattened spirits just a vortex, curve,
Again, at last, collectively let go washed on a breathing shore,
These arts, adaptives, phantoms, artists, with us hand in glove
They were already waiting, with us
And may enter, traced out of spazzing noise, on emptiness,
A timelessness,
A door
We would've sooner
We had never
But art
Had ever never
Gone before...
1from diffusers import AutoPipelineForText2Image
2import torch
3
4pipeline = AutoPipelineForText2Image.from_pretrained('black-forest-labs/FLUX.1-dev', torch_dtype=torch.float16).to('cuda')
5pipeline.load_lora_weights('AlekseyCalvin/serebryakova_fluxlora_var1_silveragepoets', weight_name='lora.safetensors')
6image = pipeline('your prompt').images[0]
For more details, including weighting, merging and fusing LoRAs, check the
documentation on loading LoRAs in diffusers
